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課程名稱 |
御宅文化全球化
Japanese ‘Otaku culture’ and Globalisation |
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開課學期 |
110-2 |
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授課對象 |
文學院 外國語文學研究所 |
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授課教師 |
趙恬儀 |
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課號 |
FL7294 |
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課程識別碼 |
122EM8630 |
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班次 |
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學分 |
3.0 |
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全/半年 |
半年 |
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必/選修 |
選修 |
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上課時間 |
星期四2,3,4(9:10~12:10) |
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上課地點 |
舊圖會議室 |
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備註 |
本課程以英語授課。第三類。
限碩士班以上
總人數上限：10人 |
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課程簡介影片 |
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核心能力關聯 |
核心能力與課程規劃關聯圖 |
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課程大綱
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為確保您我的權利,請尊重智慧財產權及不得非法影印
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課程概述 |
近年來動漫研究在文化研究學界逐漸崛起，特別是日本動漫在當今大眾流行文化的全球化議題當中扮演重要的角色，其中又以其跨文化與無國界的特質最受矚目，而從動漫文化中孕育興起的御宅族（Otaku）文化，更是引起諸多不同的解讀。如日本文化評論者岡田斗司夫曾指出：「動漫畫或是ACG的嗜好發展到現在，已經超過語言、國界、種族的隔閡了。這種情形，在歷史上是只有宗教才可以比擬的。」。本課程將以日本動漫本身的跨文化與混種（hybridity）特質為重心，探討御宅文化的全球化議題及研究趨勢，並反思此一現象的文化與時代意義。 |
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課程目標 |
This course is designed to introduce the fundamental concepts and scholarship of Japanese animations and comics, with a purpose to develop students’ sensitivity to and critical assessment of the cross-cultural phenomenon of globalisation. It is hoped that students who take this course will learn to distill profound cultural issues from Japanimation and similar popular visual texts, as well as a deeper understanding of the latest research trend in this field. |
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課程要求 |
課前需讀畢指定之文獻，並需帶領至少兩次文獻閱讀討論報告(需準備ppt或講義)；期末需繳交5000字學術論文體裁之書面報告。 |
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預期每週課後學習時數 |
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Office Hours |
另約時間 備註： Appointment required. |
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指定閱讀 |
Bhabha, Homi. “The Third space: Interview with Homi Bhabha.” In Jonathan Rutherford (Ed.), Identity: Community, culture, difference (pp.207-222). London: Lawrence and Wishart, 1990. Print.
總圖4F人社資料區 HM101 I3z 1990
Iwabuchi, Koichi. Recentering globalization: Popular culture and Japanese transnationalism. Durham, N.C.: Duke University Press, 2002.
總圖2F人社資料區 DS822.5 I9 2002
Kraidy, M. M. 2005. Hybridity, or the Cultural Logic of Globalization. Philadelphia: Temple University Press. Print.
Full text online: https://reurl.cc/NpbMEp; https://www.jstor.org/stable/j.ctt1bw1k8m
NTU Lib 4F (HM1272 K73 2005)
McLelland, Mark, Kazumi Nagaike, Katsuhiko Suganuma, and James Welker. Eds. Boys Love Manga and Beyond: History, Culture, and Community in Japan. Jackson : University Press of Mississippi, 2015.
NTU Lib 2F (PN6714 B69 2015)
Ogi, Fusami, Rebecca Suter, Kazumi Nagaike, and John A. Lent. Eds. Women’s Manga in Asia and Beyond: Uniting Different Cultures and Identities. 2019.
Full text online: https://link.springer.com/book/10.1007/978-3-319-97229-9
Palgrave Studies in Comics and Graphic Novels
Media research methods: audiences, institutions, texts / Ina Bertrand and Peter Hughes.
Media research methods: understanding metric and interpretive approaches / James A. Anderson. NTU Lib 2F (P91.3 A58 2012)
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參考書目 |
王佩迪主編，《動漫社會學：別說得好像還有救》。台北：奇異果文創，2015。
李衣雲，《讀漫畫：讀者、漫畫家和漫畫產業》。台北：群學，2012。
李衣雲。私と漫畫の同居物語。台北縣，新新聞，1999。
陳仲偉。日本動漫畫的全球化與迷的文化。臺北市：唐山，2004。
馮品佳主編。《圖像敘事研究文集》(Regarding Graphic Narratives)。台北：書林，2016。
傻呼嚕同盟(Jo-Jo, ZERO, Alplus)。御宅學。臺北：皇冠，2013。
Levi, Antonia, Mark McHarry and Dru Pagliassotti. Boys' love manga : essays on the sexual ambiguity and cross-cultural fandom of the genre. Jefferson, N.C. : McFarland & Co., c2010.
Poitras, Gilles. The anime companion: what’s Japanese in Japanese animation. Berkeley: Stone Bridge Press, 1999.
Richie, Donald. The image factory: Fabs and fashions in Japan. London: Reaktion, 2003.
Sturken, Mrita, and Lisa Cartwright. Practices of looking: An introduction to visual culture. Oxford: Oxford University Press, 2002 (Rpt.).
Von Feigenblatt, Otto F. “A Socio-cultural Analysis of Romantic Love in Japanese Harem Animation: A Buddhist Monk, a Japanese Knight, and a Samurai.” Journal of Asia Pacific Studies 1(3) , 2010: 636-645.
Wang, Pei-Ti. “Transnational Otaku culture: A comparative study of anime fans in the U.S. and in Taiwan.” In Michelle Ying Ling Huang (Ed.), Beyond boundaries: East and west cross-cultural encounters (pp. 213-229). Newcastle upon Tyne: Cambridge Scholars Publishing, 2011.
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評量方式
(僅供參考) |
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No. |
項目 |
百分比 |
說明 |
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1. |
課堂討論參與 |
25% |
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2. |
領讀口頭報告 |
35% |
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3. |
期末書面及口頭報告 |
40% |
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週次 |
日期 |
單元主題 |
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第1週 |
02/17 |
Add & drop; introduction to the course; ACG: basic ideas |
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第2週 |
02/24 |
Order of in-class presentations; introduction to otaku culture and research methodology |
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第3週 |
03/03 |
Japan’s ACG industry and globalisation: history and development
(Note: change of the venue for this week only >>博雅310; Room 310 of the Boya Lecture Building) |
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第4週 |
03/10 |
Globalisation and cultural hybridisation: theories & practice |
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第5週 |
03/17 |
Cultural hybridization in Japanese ACG (1): Hayao Miyazaki’s anime universe |
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第6週 |
03/24 |
Cultural hybridization in Japanese ACG (2): Fullmetal Alchemist and the fantasy genre |
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第7週 |
03/31 |
(Self-study day; no class meeting) Fieldwork & report: exploring ACG resources/archives at NTU and in Taipei |
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第8週 |
04/07 |
Cultural hybridization in Japanese ACG (3): Black Butler and Neo-Victorianism |
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第9週 |
04/14 |
Cultural hybridization in Japanese ACG (4): Ghost in the Shell and Japanese SF |
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第10週 |
04/21 |
(Invited talk; tbc)
GloBLisation: Boys Love in ACG and fandom |
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第11週 |
04/28 |
Border crossing (1): Cross-cultural and cross-media marketing (case study: Yuri!!! on ICE); submission of the title and draft outline of the final presentation |
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第12週 |
05/05 |
Border crossing (2): fandom (fan art, fan fiction, cosplay) |
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第13週 |
05/12 |
ACG industry and fandom in Taiwan and China; programme of the Mini Conference |
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第14週 |
05/19 |
Mini conference 1 (NOT open to auditors) |
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第15週 |
05/26 |
Mini conference 2 (NOT open to auditors); submission of final coursework essay (for presenters of mini conference 1) |
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第16週 |
06/02 |
Field trip & discussion: Animate Taipei + butler café OR ACG-themed café/teahouse/restaurant; submission of final coursework essay (for presenters of mini conference 2) |
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第17週 |
06/19 |
(Self-study; no class meeting) Recent studies by Taiwanese scholars in graphic narratives and ACG/otaku culture |
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第18週 |
06/26 |
(Self-study; no class meeting) Osamu Tezuka |
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